GLOMMING AND BAD TITLES

The best thing about discovering a new author is glomming all their other books and immersing yourself in their writing, or re-discovering an old favorite, revisiting favorite titles, and catching up with their other titles.

When Jayne Ann Krentz was writing what I call her Alphabet Trilogies under her pseudonym Amanda Quick, I read them as fast as I could get my hands on them. I don't remember much about them now, and frankly, I found it very hard to remember specifics about each book because those titles (Mystique, Mischief, Mistress, Dangerous, Desire, Deception, Ravished, Reckless, etc.) didn't help me remember what they were about. I've thought about going back and re-reading them, and that's not out of the question, but there are so many books I have yet to read for a first time by authors I have yet to discover that I'm not necessarily willing to devote a lot of time to that many books I've already read.

Anyway, I hadn't read JAK for a while, except in her Jayne Castle persona, because I love her Harmony series. My aunt, Posey, and I talk books a lot, and she was telling me how hard it is to find JAK books secondhand, and I realized I had a few of her Arcane Society books. I hadn't realized that they tied in with the Harmony books. So I'm on my fourth JAK title in the past month, and I love that I'm just flying through it. I've begun to realize that sometimes my slow reading pace is a symptom of reading books I think I *should* read rather than reading what I know I'll love and enjoy.

When I first discovered Susan Elizabeth Phillips, it was the same thing--I read everything I could find by her. I recently re-read Dream a Little Dream, which is one of my favorites of hers, even though I'm not exactly sure what that title had to do with anything. And that leads me to a particular pet peeve: bad titles.

I used to read Harlequin romances all the time, and I didn't care who saw me reading them. I don't read them to speak of now, and the reason is quite simple: the titles are stupid and embarrassing. The Billionaire's Baby Bargain. The Sheikh's Secret Seduction. The Italian's Pregnant Mistress. These may or may not be actual titles, but you see where I'm going with this. For years I defended Harlequin as good story-telling with a wealth of opportunity for fledgling writers. Now I can't get past the titillating, newsstand headline titles of the books to read the stories inside. Harlequin's taken the genre backward about fifty years, and it's a terrible mistake. On the other hand, I guess if I were to read one of those books, I wouldn't have trouble remembering what the plot was.

I recently read Never Love a Lawman by Jo Goodman. I really enjoy her books, which are usually western historical romances, but the title of this one left me scratching my head, because it's one of those titles I'm talking about--it had nothing to do with the story, except that the hero was the town sheriff. The story was about a young woman who moves to a small western town to escape a villain. She keeps to herself for the most part, except for the fact that she's a dressmaker who designs clothing for the ladies of the town as well as for the ladies of the night. The town is open-minded about this because the ladies of the night were brought in to provide company for the bachelor miners, and many of them have married and become respectable. Anyway, the heroine and hero marry to meet the terms of the will of the young woman's benefactor, who had once been a friend of her father's. So, does anything here relate to "Never Love a Lawman?" I didn't think so, either.

Authors don't get much say in naming their books, but I'm pretty sure I'd have trouble accepting a title that didn't have anything to do with my story.

If His Kiss Is Wicked, by Jo Goodman

IF HIS KISS IS WICKED
Jo Goodman
ISBN: 0-8217-7777-7
Historical Romance
Book #08-006

Emma Hathaway has made a comfortable home for herself with her uncle, Sir Arthur Vega, and his daughter, the lovely Marisol, by making herself useful in her uncle's painting studio and being something of a companion/servant to her cousin. When Emma is asked to meet with Marisol's lover, the result is nearly fatal: Emma is kidnapped and beaten severely. Battered from her ordeal and in despair at her family's disbelief that she is still a target, Emma seeks help from the mysterious Restell Gardner.

Restell has made a name for himself by helping people solve problems of scandalous proportion. With a combination of cunning and finesse, and an ability to barter favors for information and other intangibles, Restell's unique skills are oddly suited to resolving Emma's issues. As he gets to know Emma, Restell finds himself captivating by her dry sense of humor, her beauty, and her strength. Amidst attempted murder and romantic intrigue, Restell and Emma are drawn into a passion that threatens to consume them.

Jo Goodman always writes with sureness and sensuality, and her talent does not fail to keep things simmering in this romantic mystery. The relationship between Emma and Restell is beautifully depicted, and

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the fact that they are married halfway into the book gives the romance an extra shimmer of tenderness. Much of the charm of this book is in the development of the trust and affection between the hero and heroine, and for these particular characters, nothing less than matrimony would have been acceptable. Being husband and wife allows Restell and Emma the freedom to explore their growing attraction without guilt or furtive measures tainting their pleasure in each other.

As always, Goodman's supporting cast are three-dimensional, fully believable characters in their own right. Goodman is skilled at layering information in her plots and then peeling it away in just the right increments to move the story forward without revealing too much, too soon. Readers will realize early on that nothing is as it seems in the Vega household, but red herrings and a complex plot will keep readers guessing right up until the final chapter. Marisol, the motherless beauty pampered by her adoring father, is jealous of Emma's closeness to Sir Arthur, yet she depends on Emma to make their lives more comfortable. Sir Arthur, crippled and unable to paint as he used to, relies on Emma to manage his social life as well as his artistic commitments. Marisol's fiance, Neven, was once attracted to Emma before he settled on her cousin, but his management of Sir Arthur's finances is suspect. Restell's family, whom we've met in previous books, are as warm and engaging as ever.

IF HIS KISS IS WICKED is yet another treasure from autobuy author Jo Goodman. Although the title is a bit random, the story delivers everything Goodman's readers have come to expect from her. This book is definitely a keeper.